JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas ├ęcht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.

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From the perspective of democracy and fair competition this type of market control is not to be tolerated.

The result is a level playing field in which many, and many more artists can make a decent living. The following page uses this file: This page was last edited on 1 Juneat The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

By using this site, you agree to the Terms of Use and Privacy Policy. This image was originally posted to Flickr. With Joost Smiers cropped. Its license was verified as “cc-by She works in the cultural field in the Netherlands.


Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces. His Arts Under Pressure. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

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And even more important effect would be the restoration of our public domain of creativity and knowledge. This file is licensed under the Creative Commons Attribution 2. Retrieved from ” https: Promoting Cultural Diversity in the Age of Globalization has been translated into ten languages.

File:With Joost – Wikimedia Commons

If we recognize that copyright is unfeasible, and unjustifiable, what should our response be? See the license information for further details. Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. From Wikimedia Commons, the free media repository. Description With Msiers Smiers. Franco Iacomella Joost Smiers.


About the Author

Summary [ edit ] Description With Joost Smiers. This file has an extracted image: She lives in Utrecht.

At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. Marieke van Schijndel is a cultural scientist and MBA graduate.

He lives in Amsterdam.

Smier of Network Cultures, Amsterdam Views View Edit History. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.